Course Schedule
AFAS 218 – Introduction to Hip-Hop Dance
When you think of hip-hop, you often think of gangsters, thugs, pimps, drugs, crime, wealth, violence ,and misogyny. Students taking this course will be expected to take the artist perspective to dig deeper into the historical underpinnings of where this contemporary art form comes from as well as its evolution and proliferation nationally and beyond(globally). This beginning level class combines practical movement practices based on actual hip-hop dance styles with straight lectures and lively discussions that help students to be critical, analytical, logical, questioning, reflective and evaluative thinkers This holistic approach which combines theory and practice, will furnish learners with the relevant cultural, historical, and practical knowledge of hip-hop dance and cultures in general. Similarly, in order to fully examine and acquire the different hip-hop dance and movement styles, skills, techniques, vocabulary, and cultures emanating from particular historical and evolutionary periods and geographic regions in the USA and globally, the course will adopt ahistorical-geographical approach. The ultimate objective is to challenge and encourage students to take on the lens of the artists and independently create final dance projects where they dig deeper and get immersed in to the core values, knowledge, theories, world views, concepts, and ideas specific to the Africana Studies discipline. Students are not required to have prior dance knowledge to enroll in this class and will participate at their ability levels. To demonstrate the student's mastery of disciplinary content, methodologies, skills, knowledge and value systems, the class will culminate with an independently conceived practical performance, or a digital project accompanied by a critical/analytical write up.
When you think of hip-hop, you often think of gangsters, thugs, pimps, drugs, crime, wealth, violence ,and misogyny. Students taking this course will be expected to take the artist perspective to dig deeper into the historical underpinnings of where this contemporary art form comes from as well as its evolution and proliferation nationally and beyond(globally). This beginning level class combines practical movement practices based on actual hip-hop dance styles with straight lectures and lively discussions that help students to be critical, analytical, logical, questioning, reflective and evaluative thinkers This holistic approach which combines theory and practice, will furnish learners with the relevant cultural, historical, and practical knowledge of hip-hop dance and cultures in general. Similarly, in order to fully examine and acquire the different hip-hop dance and movement styles, skills, techniques, vocabulary, and cultures emanating from particular historical and evolutionary periods and geographic regions in the USA and globally, the course will adopt ahistorical-geographical approach. The ultimate objective is to challenge and encourage students to take on the lens of the artists and independently create final dance projects where they dig deeper and get immersed in to the core values, knowledge, theories, world views, concepts, and ideas specific to the Africana Studies discipline. Students are not required to have prior dance knowledge to enroll in this class and will participate at their ability levels. To demonstrate the student's mastery of disciplinary content, methodologies, skills, knowledge and value systems, the class will culminate with an independently conceived practical performance, or a digital project accompanied by a critical/analytical write up.
- +
- Section: 001
- Instructor: Castro, Johnny
- Days: MoWe
- Time: 05:30 PM - 06:45 PM
- Dates: Aug 26 - Dec 11
- Status: Open
- Enrollment: 60 / 120
- +
- Section: 101
- Instructor: Castro, Johnny
- Days:
- Time:
- Dates: Aug 26 - Oct 16
- Status: Open
- Enrollment: 126 / 130
- +
- Section: 102
- Instructor: Castro, Johnny
- Days:
- Time:
- Dates: Oct 17 - Dec 11
- Status: Closed
- Enrollment: 122 / 130
- +
- Section: 103
- Instructor: Zenenga, Praise
- Days:
- Time:
- Dates: Oct 17 - Dec 11
- Status: Closed
- Enrollment: 60 / 60
- +
- Section: 201
- Instructor: Castro, Johnny
- Days:
- Time:
- Dates: Aug 26 - Oct 16
- Status: Open
- Enrollment: 126 / 130
- +
- Section: 202
- Instructor: Castro, Johnny
- Days:
- Time:
- Dates: Oct 17 - Dec 11
- Status: Open
- Enrollment: 122 / 130
- +
- Section: 203
- Instructor: Zenenga, Praise
- Days:
- Time:
- Dates: Oct 17 - Dec 11
- Status: Closed
- Enrollment: 60 / 60
- +
- Section: 401
- Instructor: Castro, Johnny
- Days:
- Time:
- Dates: Aug 26 - Oct 16
- Status: Open
- Enrollment: 126 / 130
- +
- Section: 402
- Instructor: Castro, Johnny
- Days:
- Time:
- Dates: Oct 17 - Dec 11
- Status: Open
- Enrollment: 122 / 130
- +
- Section: 403
- Instructor: Zenenga, Praise
- Days:
- Time:
- Dates: Oct 17 - Dec 11
- Status: Closed
- Enrollment: 60 / 60
AFAS 218 – Introduction to Hip-Hop Dance
When you think of hip-hop, you often think of gangsters, thugs, pimps, drugs, crime, wealth, violence ,and misogyny. Students taking this course will be expected to take the artist perspective to dig deeper into the historical underpinnings of where this contemporary art form comes from as well as its evolution and proliferation nationally and beyond(globally). This beginning level class combines practical movement practices based on actual hip-hop dance styles with straight lectures and lively discussions that help students to be critical, analytical, logical, questioning, reflective and evaluative thinkers This holistic approach which combines theory and practice, will furnish learners with the relevant cultural, historical, and practical knowledge of hip-hop dance and cultures in general. Similarly, in order to fully examine and acquire the different hip-hop dance and movement styles, skills, techniques, vocabulary, and cultures emanating from particular historical and evolutionary periods and geographic regions in the USA and globally, the course will adopt ahistorical-geographical approach. The ultimate objective is to challenge and encourage students to take on the lens of the artists and independently create final dance projects where they dig deeper and get immersed in to the core values, knowledge, theories, world views, concepts, and ideas specific to the Africana Studies discipline. Students are not required to have prior dance knowledge to enroll in this class and will participate at their ability levels. To demonstrate the student's mastery of disciplinary content, methodologies, skills, knowledge and value systems, the class will culminate with an independently conceived practical performance, or a digital project accompanied by a critical/analytical write up.
When you think of hip-hop, you often think of gangsters, thugs, pimps, drugs, crime, wealth, violence ,and misogyny. Students taking this course will be expected to take the artist perspective to dig deeper into the historical underpinnings of where this contemporary art form comes from as well as its evolution and proliferation nationally and beyond(globally). This beginning level class combines practical movement practices based on actual hip-hop dance styles with straight lectures and lively discussions that help students to be critical, analytical, logical, questioning, reflective and evaluative thinkers This holistic approach which combines theory and practice, will furnish learners with the relevant cultural, historical, and practical knowledge of hip-hop dance and cultures in general. Similarly, in order to fully examine and acquire the different hip-hop dance and movement styles, skills, techniques, vocabulary, and cultures emanating from particular historical and evolutionary periods and geographic regions in the USA and globally, the course will adopt ahistorical-geographical approach. The ultimate objective is to challenge and encourage students to take on the lens of the artists and independently create final dance projects where they dig deeper and get immersed in to the core values, knowledge, theories, world views, concepts, and ideas specific to the Africana Studies discipline. Students are not required to have prior dance knowledge to enroll in this class and will participate at their ability levels. To demonstrate the student's mastery of disciplinary content, methodologies, skills, knowledge and value systems, the class will culminate with an independently conceived practical performance, or a digital project accompanied by a critical/analytical write up.
- +
- Section: 001
- Instructor: Castro, Johnny
- Days: MoWe
- Time: 05:30 PM - 06:45 PM
- Dates: Jan 15 - May 7
- Status: Open
- Enrollment: 0 / 60
- +
- Section: 101
- Instructor: Castro, Johnny
- Days:
- Time:
- Dates: Jan 15 - Mar 7
- Status: Open
- Enrollment: 0 / 130
- +
- Section: 102
- Instructor: Castro, Johnny
- Days:
- Time:
- Dates: Mar 17 - May 7
- Status: Open
- Enrollment: 0 / 100
- +
- Section: 103
- Instructor: Zenenga, Praise
- Days:
- Time:
- Dates: Mar 17 - May 7
- Status: Open
- Enrollment: 0 / 210
- +
- Section: 201
- Instructor: Castro, Johnny
- Days:
- Time:
- Dates: Jan 15 - Mar 7
- Status: Open
- Enrollment: 0 / 130
- +
- Section: 202
- Instructor: Castro, Johnny
- Days:
- Time:
- Dates: Mar 17 - May 7
- Status: Open
- Enrollment: 0 / 100
- +
- Section: 203
- Instructor: Zenenga, Praise
- Days:
- Time:
- Dates: Mar 17 - May 7
- Status: Open
- Enrollment: 0 / 210