Course Schedule

Course provides a comprehensive understanding of the African American experience as grounded in the humanities. A broad investigation of Africana history and culture and its subsequent evolution in the United States.

When you think of hip-hop, you often think of gangsters, thugs, pimps, drugs, crime, wealth, violence ,and misogyny. Students taking this course will be expected to take the artist perspective to dig deeper into the historical underpinnings of where this contemporary art form comes from as well as its evolution and proliferation nationally and beyond(globally). This beginning level class combines practical movement practices based on actual hip-hop dance styles with straight lectures and lively discussions that help students to be critical, analytical, logical, questioning, reflective and evaluative thinkers This holistic approach which combines theory and practice, will furnish learners with the relevant cultural, historical, and practical knowledge of hip-hop dance and cultures in general. Similarly, in order to fully examine and acquire the different hip-hop dance and movement styles, skills, techniques, vocabulary, and cultures emanating from particular historical and evolutionary periods and geographic regions in the USA and globally, the course will adopt ahistorical-geographical approach. The ultimate objective is to challenge and encourage students to take on the lens of the artists and independently create final dance projects where they dig deeper and get immersed in to the core values, knowledge, theories, world views, concepts, and ideas specific to the Africana Studies discipline. Students are not required to have prior dance knowledge to enroll in this class and will participate at their ability levels. To demonstrate the student's mastery of disciplinary content, methodologies, skills, knowledge and value systems, the class will culminate with an independently conceived practical performance, or a digital project accompanied by a critical/analytical write up.

Introductory survey of the literature, history, culture and social issues affecting Black Americans.

This course is concerned with the history of oppression of African and other Indigenous peoples in the world and examines ideas by radical philosophers and scholars from the African Diaspora directed toward liberation from oppression.

Analysis of minority relations and mass movements in urban society; trends in the modern world, with special reference to present-day race problems and social conflict.

This course is designed to provide students with skills in conducting social science research in the field of Africana Studies. The course will consist of discussions of the role of knowledge, the various methods by which knowledge is acquired, and the manner that interpretations of knowledge occur.

Students will gain insight into the historical and cultural factors that have created, and continue to perpetuate gender and ethnic inequity. Students will come to understand African American writers, particularly women, as historical agents and self-defined individuals. While the course will emphasize the multiple roles of African American women, as portrayed autobiographically it also incorporates the historical struggles of those around them. It is my goal that through the course material students will see how African Americans are constantly recreating themselves in the face of adversity.

Political problems of the poor; analysis of systematic poverty in the U.S. and theories of causation; selected policy problems: education, housing, job training, enforcement of anti-discrimination statutes; future of "power" movements.

This course is a study of popular culture and religion in African-American and Latin@ communities, with a focus on the place of rap music in the cultural identity of these traditions. The class will begin with a study of some major themes in cultural studies concerning identity, class, race, and gender in addition to a study of the role of religion in Black and Latin@ communities. We will consider the approaches and self-understandings of identity and culture in rap music with special attention to the voices of protest, resistance, and spirituality among rap artists.

In order to conceptualize the way gender and ethnicity has shaped women's lives in the public and private domain students will "hear" the voices of African American women in ethnography, history and literature as we discuss the Africana concepts of life, health, beauty and family. The experiences of these women, as expressed in literature have become "formidable" presences in African American culture and history. The self-expression and self-definition, expressed by African American women's voices have generated social and political changes in American history that have also impacted the dominant Euro-American culture of American society.

A broadly comparative introduction to slavery in Latin America and the Caribbean. Exploration of slavery, the use of slave labor, and the daily lives of slaves and slave owners in different settings and different cultures.

How are race and racism perceived and experienced in countries in Latin America particularly such as Brazil, Venezuela and Colombia where a mixed-race ideology and the myth of racial equality have traditionally been at the core of national identity? This class critically analyzes notions of race and anti-racist activism to examine the ideologies and circumstances of the political structure, race-targeted public policies, and black activism in contemporary Latin America.

This course provides a strong foundation in the history and development of hip-hop cinema from Africana Studies, Cinema and Cultural Studies perspectives. Major films, theories, and movements are studied in their historical, social, and cultural context, with a particular focus on the aesthetics of visual language and cinematic techniques. Interdisciplinary analysis will allow for viewing hip hop and cinema in revolutionary but academic ways.

Examination of the historical, ethical, social, and political impacts and perspectives of hip-hop artistic practices and works on communities and societies in the United States and in the French-speaking world. Taught in English.

While the British invented "football" (as soccer is known around the world), the French were key players in structuring it worldwide. This interdisciplinary course is about the emergence and growing notoriety of soccer in France, the French - speaking world, and as a worldwide global phenomenon through explorations in the following areas: cultural and global studies, philosophy, history, institutions, anthropology, sociology, and language. The course presents several important themes that allow to understand the popularity and identification of the populations with soccer worldwide, as well as the human values it represents: olympism, pacifism, imperialism, colonialism and post - colonialism , national identities, race, politics, gender, and globalization.

This course is geared toward illuminating the relationship of dance and music through a theoretical and technical examination of historical Pan African dance forms from the African continent, through the Diaspora and the Americas. A range of Black and other thinkers and artists from Indigenous cultures in Africa and the Diaspora will be discussed in this course.

The aim of the course is to investigate African Caribbean writings in English on issues from slavery through the 20th century. the key focus will be on issues from what is now considered the post colonial islands and countries. It will also take into account, the growing body of literature by Caribbean women writers.

Political, constitutional, economic, and military developments in the U.S. and the Confederacy during and after the Civil War.

Specialized work on an individual basis, consisting of training and practice in actual service in a technical, business, or governmental establishment.

A culminating experience for majors involving a substantive project that demonstrates a synthesis of learning accumulated in the major, including broadly comprehensive knowledge of the discipline and its methodologies. Senior standing required.

Course provides a comprehensive understanding of the African American experience as grounded in the humanities. A broad investigation of Africana history and culture and its subsequent evolution in the United States.

This course evaluates the early experiences of peoples of African descent in North America. The culture of African captives, their daily lives under different slave regimes, slave resistance, free blacks, and emancipation are the main subjects addressed in this class.

When you think of hip-hop, you often think of gangsters, thugs, pimps, drugs, crime, wealth, violence ,and misogyny. Students taking this course will be expected to take the artist perspective to dig deeper into the historical underpinnings of where this contemporary art form comes from as well as its evolution and proliferation nationally and beyond(globally). This beginning level class combines practical movement practices based on actual hip-hop dance styles with straight lectures and lively discussions that help students to be critical, analytical, logical, questioning, reflective and evaluative thinkers This holistic approach which combines theory and practice, will furnish learners with the relevant cultural, historical, and practical knowledge of hip-hop dance and cultures in general. Similarly, in order to fully examine and acquire the different hip-hop dance and movement styles, skills, techniques, vocabulary, and cultures emanating from particular historical and evolutionary periods and geographic regions in the USA and globally, the course will adopt ahistorical-geographical approach. The ultimate objective is to challenge and encourage students to take on the lens of the artists and independently create final dance projects where they dig deeper and get immersed in to the core values, knowledge, theories, world views, concepts, and ideas specific to the Africana Studies discipline. Students are not required to have prior dance knowledge to enroll in this class and will participate at their ability levels. To demonstrate the student's mastery of disciplinary content, methodologies, skills, knowledge and value systems, the class will culminate with an independently conceived practical performance, or a digital project accompanied by a critical/analytical write up.

Introductory survey of the literature, history, culture and social issues affecting Black Americans.

This course is concerned with the history of oppression of African and other Indigenous peoples in the world and examines ideas by radical philosophers and scholars from the African Diaspora directed toward liberation from oppression.

This course is designed to provide students with skills in conducting social science research in the field of Africana Studies. The course will consist of discussions of the role of knowledge, the various methods by which knowledge is acquired, and the manner that interpretations of knowledge occur.

Students will gain insight into the historical and cultural factors that have created, and continue to perpetuate gender and ethnic inequity. Students will come to understand African American writers, particularly women, as historical agents and self-defined individuals. While the course will emphasize the multiple roles of African American women, as portrayed autobiographically it also incorporates the historical struggles of those around them. It is my goal that through the course material students will see how African Americans are constantly recreating themselves in the face of adversity.

The course examines how literature captures the multifaceted social, cultural, and political life of the Caribbean region.

This course is designed to introduce undergraduate students to the history of narratives by African slaves before and after the American Civil War. This course will benefit majors/minors in American/African Literature or other interdisciplinary majors who wish to study the historical experiences of minority ethnic cultures in America.

This course is a study of popular culture and religion in African-American and Latin@ communities, with a focus on the place of rap music in the cultural identity of these traditions. The class will begin with a study of some major themes in cultural studies concerning identity, class, race, and gender in addition to a study of the role of religion in Black and Latin@ communities. We will consider the approaches and self-understandings of identity and culture in rap music with special attention to the voices of protest, resistance, and spirituality among rap artists.

In order to conceptualize the way gender and ethnicity has shaped women's lives in the public and private domain students will "hear" the voices of African American women in ethnography, history and literature as we discuss the Africana concepts of life, health, beauty and family. The experiences of these women, as expressed in literature have become "formidable" presences in African American culture and history. The self-expression and self-definition, expressed by African American women's voices have generated social and political changes in American history that have also impacted the dominant Euro-American culture of American society.

This course provides an introduction to the politics of Caribbean states, from 1960 to the present. It will discuss major issues that affect the Caribbean region, namely, migration, poverty, regional economic cooperation and political integration, democratic institutions, and U. S. foreign policy towards the region.

How are race and racism perceived and experienced in countries in Latin America particularly such as Brazil, Venezuela and Colombia where a mixed-race ideology and the myth of racial equality have traditionally been at the core of national identity? This class critically analyzes notions of race and anti-racist activism to examine the ideologies and circumstances of the political structure, race-targeted public policies, and black activism in contemporary Latin America.

This course provides a strong foundation in the history and development of hip-hop cinema from Africana Studies, Cinema and Cultural Studies perspectives. Major films, theories, and movements are studied in their historical, social, and cultural context, with a particular focus on the aesthetics of visual language and cinematic techniques. Interdisciplinary analysis will allow for viewing hip hop and cinema in revolutionary but academic ways.

Examination of the historical, ethical, social, and political impacts and perspectives of hip-hop artistic practices and works on communities and societies in the United States and in the French-speaking world. Taught in English.

While the British invented "football" (as soccer is known around the world), the French were key players in structuring it worldwide. This interdisciplinary course is about the emergence and growing notoriety of soccer in France, the French - speaking world, and as a worldwide global phenomenon through explorations in the following areas: cultural and global studies, philosophy, history, institutions, anthropology, sociology, and language. The course presents several important themes that allow to understand the popularity and identification of the populations with soccer worldwide, as well as the human values it represents: olympism, pacifism, imperialism, colonialism and post - colonialism , national identities, race, politics, gender, and globalization.

Digital Africana Studies aims to bridge the best of Africana Studies (key concepts, theories, methods of inquiry, and pedagogies) with the democratic potential of Digital Humanities. Digital Africana Studies examines and re-imagines possibilities for the practices and structural logics of Digital Humanities and digital media broadly by questioning the often taken-for-granted assumptions of Digital Humanities spaces, discourses and cultural productions. To the degree that Africana Studies has long advocated for the inclusion of African American contributions and the documenting of historical racial struggles for diversity and social justice, Digital Africana Studies encourages critical yet productive engagements through literature, art, history and popular culture.

This course explores the aspirations that people of African descent have for the future, speculation, utopias and dystopias. Part of the resilience of black culture and black life is about imagining the impossible, imagining better places, situating oneself on different levels of existence and interacting with other life forms, be they alien, artificial or human, in ways not fully embraced or understood by Western culture. Afrofuturism encompasses art, music, literature, religion, technology and the future in new and exciting ways in order to further understand the human condition, more specifically the place of people of color in the 21st century and beyond. Overall, this course explores the construction of modern and future worlds from the perspective of global black experiences.

Political, constitutional, economic, and military developments in the U.S. and the Confederacy during and after the Civil War.

Specialized work on an individual basis, consisting of training and practice in actual service in a technical, business, or governmental establishment.